Chronology
- 1970
- With Kornblum's death, Glankoff walked away from their shared venture in the toy business, selling the Woodstock house and using the proceeds to work full-time on his art. During this time, Glankoff began to further develop his innovative paint-print-transfer technique, a method that he invented which combined painting, printing and woodcut to make multi-panel large-scale works.
- 1974
- Introduced by his brother, Mort Glankoff, to Elke Solomon and Berta Walker, curators at the Whitney Museum of American Art. Out of this meeting, the term print-painting, one that would be applied to his works of this period, emerged. Although offered an exhibition, Glankoff declined, saying he was not yet ready.
- 1980
- Glankoff signs and dates his previously unsigned body of work. Agrees to be filmed for a documentary on his art-making process and life, entitled, Re-Arranging Short Dreams, the title taken from a collection of his writings.
- 1981
- Glankoff's first and only one-person show, at the Graham Gallery, New York City. First time Glankoff exhibits work since the Whitney Studio Club.
Included in Brooklyn Museum's 22nd Annual Works on Paper exhibition, where a Glankoff is on view between the work of Robert Motherwell and Helen Frankenthaler.
- 1984
- Sam Glankoff Retrospective Exhibition, Jane Voorhees Zimmerli Museum, Rutgers University, New Jersey.
- 1984
- Sam Glankoff: Woodcuts, 1925-1960s, Associated American Artists Gallery, New York